Article By Aziz Khan Of AIRA PHOTOGRAPHY
~ www.aira-images.co.uk
Contact Aira on 07803 602 965 or email airaphotography@hotmail.com
Choosing a good photographer whose style of work
appeals to you and whom you and your fiancée can
get on with is the first step in ensuring that those
priceless memories of your special day are captured with
style and finesse. However even after signing the sales
contract, you and your respective families will have a
pivotal role to play in helping your photographer so
that he/she can concentrate on what they do best -
capturing the magic of your celebrations.
This may come as a surprise to many couples but even
the best photographers cannot secure fantastic shots
without the help and cooperation of their clients.
This is particularly true of Asian Weddings, which are
hectic and indeed chaotic affairs. If your
photographer is kept guessing about the proceedings,
has to spend his time locating key people for group
shots and undertake crowd control, this will detract
from his or her ability to take the best possible
photographs.
Great wedding photographs are the result of
teamwork, understanding and cooperation between client
and photographer. The most important ways in which you
can help your photographer provide you with the best
possible shots of your wedding day are COMMUNICATION,
PREPARATION, ORGANISATION and having a HELPER. COMMUNICATION
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Try to build up a friendly rapport with your
photographer prior to you wedding. It will put you
at ease if you are not strangers on your big day and
this will show through in your photographs. |
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Make sure your photographer understands exactly
want you want, with reference to examples, either
from his portfolio or from magazines. It is
unfortunate to hear the after the event 'I would
have liked you to
' |
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Furthermore, make sure that your photographer
fully understands what shots you consider to be of
key importance - make a list and give a copy to your
helper as well. |
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You may have the perfect wedding planned out,
but it would be no good if it is just in your head.
Your 'helper' must be briefed and should completely
understand how you want the wedding to flow, so that
the photographer can capture it |
PREPARATION
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Practice. Inevitably you will want some formal
shots or posed shots as part of your album, so try
to look at yourself in the mirror to see which side
of your face you prefer. Also check posture when you
sit and stand to see how you look best. |
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Make-up. It does help your photographer if you
have matt make up but your preference is far more
important. There is also some colourless matt
powder, which guys can use to cover up shine/grease.
It is often used on film sets and professional photo
shoots. |
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If you are doing many group shots it may be an
idea to draw up a list. It will help you avoid any
missed shots. Make sure that you give a copy of the
list to your photographer and helper. |
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Prepare a schedule of timings and key events in
your wedding and allow a little leeway between each
of these in case there are delays - if you have not
included time for contingencies, you will have to
cut short in other areas, including time spent with
a photographer. |
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Look for gaps in the ceremony or schedule of
events that can provide some time photo
opportunities. i.e. you are having a registry
ceremony and then change venue for a reception. It
would be good to have a some time set aside between
the change of venues to have some couple shots.
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ORGANISATION
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Allow some "lead-in time" for your
photo-sessions. It may take a little bit of time for
you to relax, become acclimatised to the venue and
being in the limelight and look comfortable before
the shots are taken. |
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Announcements. It is helpful if announcements
are made by the priest or master of ceremonies i.e.
before the bride enters, at each stage of the
ceremony, during cake cutting. This warns the
photographer and ensures that he is ready to capture
the moment |
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Space. Allow for ample space around you, to
leave a clear channel of view for the photographer.
If the photographer does not have a clear view, they
will not have a clear shot. |
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Use time effectively. The bride and her family
will be the first people at the venue. Have the
family shots taken then, followed by solo pictures
of the bride whilst the family conduct last minute
checks at the venue. |
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Likewise, have your couple shots whilst your
guests are eating. Slip away after the first course
and return when the desert is served. Your guests
will hardly have noticed that you have gone. |
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Try to avoid having photos of the couple or
family in the presence of guests - it can be
distracting and if you're not comfortable, it will
show in the photos. Furthermore, it can alienate
your guests and make them feel that you are more
interested in your photos than celebrating your big
day with them. |
CHOOSING A HELPER
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One of the most instrumental factors in helping
a photographer to perform at his best. This can be a
cousin or friend, but most importantly some one you
can trust. Depending on the size of your wedding,
you may even need two or more with each being
responsible for different aspects of coordinating
the photos. |
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Introduce your photographer to your helper as
soon as possible. It may be an advantage if your
helper is a bit of a bully (crowd control &
searching for the missing relative in a group shot).
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The helper(s) should be on hand while the photo
shoot is taking place. If the bride is inclined to
fuss over her hair and clothing between each shot,
four hands will deal with it quicker than two. |
This is not an extensive list but just a few ideas
to help you think in the right direction. If you bear
the above in mind it should help your photographer to
get some great shots of your wedding day.
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